11/19/2023 0 Comments Dj dramaThe types of beats he’s rapping on, with “Lumberjack” being an old Gravediggaz sample, it’s just so reminiscent of what Skateboard did on the In My Mind prequel. For Tyler after IGOR to show his love and pay homage to hip-hop–you never know what direction he’s gonna take it in, so to come back with this gritty ass rap album and on top of that it’s a fucking Gangsta Grillz was just so left of what anybody thought. You could just kinda spaz and be carefree and experimental. You could get away with a lot of stuff that you may not be able to on your album album. I think that one of the things that people loved about the mixtapes in the 2000s when it became what it became was that it was no holds barred. Pharrell came really hard on it, so it makes sense that this was a return to a certain grittiness and brash rap style for Tyler.Įxactly. I think so many worlds collided and it raised a generation, including Tyler. He had told me then, but I think it makes perfect sense and then the way that tape sounds, how gritty it is, and the production that Pharrell chose to rhyme on. So when we first linked up, around the time when he put that tweet out or when I went to his show, I had done an interview with Odd Future the first time I met those guys. I’ve heard through the years about how important that tape was to various people. I think it made 100 percent sense and I get it because of what Pharrell represented at a time to a legion of people as an artist that’s kind of off-center. The ones that people don’t expect are some of the proudest for me.Įminem Calls 50 Cent 'One of the Best Friends I've Ever Known' at Surprise Concert Appearanceĭid it surprise you at all that Tyler’s big point of influence was the Pharrell tape? Tyler has always been big on Pharrell and The Neptunes so, in some ways, it makes a lot of sense. But coming up with people like The Roots and Blackstar my backpacker roots, I was excited when I was able to take Gangsta Grillz in that direction. How is this gonna make sense?” For me, that was a way to pay homage to some of my roots, no pun intended. People were coming to me like, “Gangsta Grillz is a street brand. I remember, I faced some backlash when I did those. You could maybe even put in a Curren$y, where I had to switch my tone to match his smoker side.I feel like Little Brother and Pharrell were the first left-of-center ones that I did. Some folks seemed surprised to see you work with an artist like Tyler, but the reality is you’ve always made records with left-field artists like Gnarls Barkley, Little Brother, and, obviously, Pharrell. I think mixtape culture is an art form from a and time in hip-hop that unfortunately has gotten a little lost because a lot of that music isn’t available on the streaming platforms. I was in Vegas the other day and I’m walking through the lobby and somebody screams out “ Call Me If You Get Lost !” I’m used to people screaming out “Yo Dram!” or they’ll say it in Jeezy’s voice or “Gangsta Grillz,” so it’s a new way for them to pay homage. It’s definitely full circle to what the Pharrell Gangsta Grillz meant to the culture, to a lot of people, Tyler being one of them. The side that’s not familiar with me reminds me of when I did Chris Brown’s first Gangsta Grillz, In My Zone, and his fanbase was like, “What the hell is this person screaming all over the music? Get him outta here.” It doesn’t bother me. I’m a troll in a lot of ways, so I’ll go read the comments and search my name. There’s a piece of it that’s very familiar with me and there’s a piece that isn’t and probably kinda had to either do some research or get put on. What’s the reaction been like to your involvement with Call Me If You Get Lost ? Do you feel like doing this has gotten the older music you worked on to a newer generation of fans?Ībsolutely. “T o come back with this gritty ass rap album and on top of that it’s fucking Gangsta Grillz, was just so left of what anybody thought,” Drama says of the project over Zoom, a few days after the album’s release. It’s not a formal entry into Drama’s legendary Gangsta Grillz mixtape series, but it embodies much of the same exhilarating rawness. The record is full of muscular rapping, shoutouts to Swiss lakes, and Drama’s bruising baritone boasts. Tyler, the Creator is as much a product of that era as anyone, so it’s fitting that he enlisted the legendary DJ Drama to act as host on his excellent sixth studio album Call Me If You Get Lost. The first phase of the beloved hip-hop internet can often feel as distant as the heyday of CDs. With only a handful of iconic projects available to stream, thousands of hours of music have been lost to the digital wasteland. As streaming platforms continue to dominate the ways we listen to music, projects from rap’s great mixtape era are disappearing or becoming more difficult to find.
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